Flossie was tacking her way towards them. Joan acted on impulse. “I wish you’d give me your address,” she said “where I could write to you. Or perhaps you would not mind my coming and seeing you one day. I would like you to tell me more about my mother.” “I spent a week at Grimsby, some years ago, organizing a fisherman’s union. They used to throw the fish back into the sea, tons upon tons of it, that men had risked their lives to catch, that would have fed half London’s poor. There was a ‘glut’ of it, they said. The ‘market’ didn’t want it. Funny, isn’t it, a ‘glut’ of food: and the kiddies can’t learn their lessons for want of it. I was talking with a farmer down in Kent. The plums were rotting on his trees. There were too many of them: that was the trouble. The railway carriage alone would cost him more than he could get for them. They were too cheap. So nobody could have them. It’s the muddle of the thing that makes me mad—the ghastly muddle-headed way the chief business of the world is managed. There’s enough food could be grown in this country to feed all the people and then of the fragments each man might gather his ten basketsful. There’s no miracle needed. I went into the matter once with Dalroy of the Board of Agriculture. He’s the best man they’ve got, if they’d only listen to him. It’s never been organized: that’s all. It isn’t the fault of the individual. It ought not to be left to the individual. The man who makes a corner in wheat in Chicago and condemns millions to privation—likely enough, he’s a decent sort of fellow in himself: a kind husband and father—would be upset for the day if he saw a child crying for bread. My dog’s a decent enough little chap, as dogs go, but I don’t let him run my larder.!

“You don’t think it even worth considering?” suggested Joan. “And I want him, if that’s any consolation to you,” Joan answered with a short laugh. It wasn’t much of a confession. The child was cute enough to have found that out for herself. “Only you see I can’t have him. And there’s an end of it.”

An old-looking man spoke. He lay with his arms folded across his breast, addressing apparently the smoky rafters. He was a Russian, a teacher of languages in Paris at the outbreak of the war, and had joined the French Army. “It’s quite easy,” said Joan, “with your beauty. Especially if you’re not going to be particular. But isn’t there danger of your devotion to your father leading you too far? A marriage founded on a lie—no matter for what purpose!—mustn’t it degrade a woman—smirch her soul for all time? We have a right to give up the things that belong to ourselves, but not the things that belong to God: our truth, our sincerity, our cleanliness of mind and body; the things that He may one day want of us. It led you into evil once before. Don’t think I’m judging you. I was no better than you. I argued just as you must have done. Something stopped me just in time. That was the only difference between us.” Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them.